Average Reviews:
(More customer reviews)I got the A2 for use as a portable studio monitor when recording music with my laptop. As such, I think its form factor is unmatched: I don't know of any other 4"W x 6"H powered full-range (2.0) speaker of this quality.
I appreciate the stated frequency response figure, which is offered with plus/minus 2dB tolerance -- unlike other iPod or computer speakers. The cabinet is made from MDF (medium density fiberboard), a material used in many of the most well-regarded audiophile speakers. The Kevlar woofer and quality binding posts also inspire confidence. A protective grille and front-mounted volume control might have been handy, but that's a matter of preference. I got the white (A2W) model which is understated and attractive.
I'm comparing the A2 with the larger (5.5"W x 8.5"H) M-Audio Studiophile DX4 speaker, which is intended for home music studios. The DX4 is actually a little less expensive, but too bulky for portable use. The DX4 comes with individual frequency response measurements which in my case indicated close pair-matching and equally flat response to that of the A2. Anyone who has built speakers knows, however, that on-axis frequency response measurements don't tell the whole story. I did not compare the A2 with larger or more expensive speakers, and my emphasis is on use as a monitor for mixing music.
Dynamics. The A2's little 3" woofer is surprisingly dynamic: turn up the volume control and you can feel the air pumping in front of the cone and the slot. The speaker sounds balanced at both low and high volumes. A speaker this size is of course only for near-field individual listening. It is not for watching movies from across the room. The DX4's 4.5" woofer has more than twice the surface area and is capable of higher sound pressure levels.
Imaging. Probably a consequence of the well-damped MDF enclosure, the A2 images nicely. Instruments do not seem to come from the speakers but from the space between them. The DX4 had better depth and openness however. I think these characteristics are partially due to the DX4's low-frequency extension and high-frequency dispersion.
Frequency balance. The A2 delivers more bass than you would expect from a 3" woofer. Of course, there is nothing below 60Hz. The mid and upper bass are a little pronounced. (The effect is worse when resting directly on a desktop, so try raising them on stands.) This makes a grand piano sound more like an upright. The DX4 manages to go deeper and sound less boxy. The A2's midrange is smooth and natural sounding. The A2's treble character is quite different from the DX4's. The DX4 is a little hyped without being harsh: grunge guitar has more of an edge and cymbals have a more pronounced decay, yet high-hats sound similar to the A2.
Mixing/Mastering. The DX4 has better bass extension and treble clarity and lets you hear individual instruments more easily, so is well-suited to mixing. On the other hand, the DX4's perceived treble "zing" may in some cases lead a recording engineer to produce dull-sounding mixes. The A2 is probably more representative of small consumer playbacks systems (bookshelf speakers and car speakers), yet is less colored and more dynamic than similar-sized powered speakers. Therefore it offers a useful comparison for balancing mixes and for assessing the final mix. Its small size and smooth midrange make it suitable for portable monitoring.
Incidentally, the A2 has both RCA and 1/8" stereo inputs which are combined if both are in use, whereas the DX4 does not do this as advertised. I was also pleased with their customer service, which was responsive to emails and phone calls.
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Product Description:
Creating powered multimedia speakers to follow the Audioengine 5 was a challenge, but we feel we've managed to duplicate the signature sound of the Audioengine 5's in a much smaller package perfectly suited for your desktop or a smaller space in your home or office. The Audioengine 2 is a great introduction to high-quality audio and the perfect upgrade for your computer or iPod.
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