Tampilkan postingan dengan label audiophile. Tampilkan semua postingan
Tampilkan postingan dengan label audiophile. Tampilkan semua postingan

Jumat, 07 Oktober 2011

Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB Review

Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB
Average Reviews:

(More customer reviews)
I need to point out that this is an *audio* interface first and foremost.Some of the other reviews only mention its MIDI capabilities.It is *also* a MIDI interface, but the primary purpose of this box is to facilitate the recording of audio.It has some great AD/DA converters to that end, along with the capabilities for very high sampling rates (unlike USB1 interfaces).

Another review also talked about using it as an external sound card.You certainly can do that, but it's a waste of money - other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with.No, if you're going to buy this box, buy it to record audio and/or MIDI.

If you're still confused as to why this thing exists, the bottom line is if you need it, you know it.This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.

Now, as for this product vs. others in its category - I've only had it for a day, but so far, it does what it's supposed to.What you're really paying for are the DACs and the software, both of which are extremely important to home recording.The hardware other than the DACs is kind of cheap and flimsy, but it works.It's not going to stand up to abuse, though - it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing.One nice thing is having level displays on the box itself, which is something that some budget interfaces lack.Everything does work like it should.

A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency.I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office.That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports.I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1.If you can use PCI, though, Emu also offers a PCI version of this interface - just be aware that you'll be giving up a few features, plus the obvious portability.If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it.(Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.)There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.

The software bundle is pretty amazing for the price, and it's another big reason why I bought this model.It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE.Don't let the "LE" designations scare you - they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions.Do you really need 96 recording tracks for a home recording?24 should be enough.But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself.This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for - I've been having a ton of fun with this.

I give it four out of five stars only because of its questionable durability.This is not the interface you want if you plan to carry it around in a gig bag all over the place.Also, it does have an external power brick (a small one) - though that's what enables the phantom power for the mic inputs, so it's a good tradeoff.Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power).But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.

Click Here to see more reviews about: Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB

Product Description:
Premium 24-bit/192kHz A/D and D/A converters* (A/D: 113dB SNR, D/A: 117dB SNR) deliver unmatched USB audio fidelity. E-MU XTC Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers (-127dB EIN) with 48V phantom power and ground lift switches enable you to plug microphones, keyboards and guitars straight into your computer with professional results, while the built-in analog soft limiting circuit lets you record a hotter signal without fear of clipping. Comprehensive digital I/O with optical and coaxial S/PDIF (switchable to AES/EBU) and MIDI In/Out to easily connect all of your digital studio gear and instruments. Ultra-low latency USB 2.0 drivers offer accurate timing and playback of your recorded audio and software instruments.Hardware zero-latency direct monitoring (mono/stereo) allows you to record and overdub with no annoying delay. Plug-and-play operation with hands-on control of all major functions like master level, direct monitoring, preamplifier controls and more. Cross-platform support (Windows XP/x64 and Mac OS X) and compatibility with most popular audio/sequencer applications (Windows: ASIO2, WDM, MME, AC-3 and DTS Passthru; Macintosh: Apple CoreAudio and CoreMIDI).

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Jumat, 30 September 2011

Audioengine 2 - PC multimedia speakers - 30 Watt (total) - 2-way - satin black Review

Audioengine 2 - PC multimedia speakers - 30 Watt - 2-way - satin black
Average Reviews:

(More customer reviews)
I got the A2 for use as a portable studio monitor when recording music with my laptop. As such, I think its form factor is unmatched: I don't know of any other 4"W x 6"H powered full-range (2.0) speaker of this quality.

I appreciate the stated frequency response figure, which is offered with plus/minus 2dB tolerance -- unlike other iPod or computer speakers. The cabinet is made from MDF (medium density fiberboard), a material used in many of the most well-regarded audiophile speakers. The Kevlar woofer and quality binding posts also inspire confidence. A protective grille and front-mounted volume control might have been handy, but that's a matter of preference. I got the white (A2W) model which is understated and attractive.

I'm comparing the A2 with the larger (5.5"W x 8.5"H) M-Audio Studiophile DX4 speaker, which is intended for home music studios. The DX4 is actually a little less expensive, but too bulky for portable use. The DX4 comes with individual frequency response measurements which in my case indicated close pair-matching and equally flat response to that of the A2. Anyone who has built speakers knows, however, that on-axis frequency response measurements don't tell the whole story. I did not compare the A2 with larger or more expensive speakers, and my emphasis is on use as a monitor for mixing music.

Dynamics. The A2's little 3" woofer is surprisingly dynamic: turn up the volume control and you can feel the air pumping in front of the cone and the slot. The speaker sounds balanced at both low and high volumes. A speaker this size is of course only for near-field individual listening. It is not for watching movies from across the room. The DX4's 4.5" woofer has more than twice the surface area and is capable of higher sound pressure levels.

Imaging. Probably a consequence of the well-damped MDF enclosure, the A2 images nicely. Instruments do not seem to come from the speakers but from the space between them. The DX4 had better depth and openness however. I think these characteristics are partially due to the DX4's low-frequency extension and high-frequency dispersion.

Frequency balance. The A2 delivers more bass than you would expect from a 3" woofer. Of course, there is nothing below 60Hz. The mid and upper bass are a little pronounced. (The effect is worse when resting directly on a desktop, so try raising them on stands.) This makes a grand piano sound more like an upright. The DX4 manages to go deeper and sound less boxy. The A2's midrange is smooth and natural sounding. The A2's treble character is quite different from the DX4's. The DX4 is a little hyped without being harsh: grunge guitar has more of an edge and cymbals have a more pronounced decay, yet high-hats sound similar to the A2.

Mixing/Mastering. The DX4 has better bass extension and treble clarity and lets you hear individual instruments more easily, so is well-suited to mixing. On the other hand, the DX4's perceived treble "zing" may in some cases lead a recording engineer to produce dull-sounding mixes. The A2 is probably more representative of small consumer playbacks systems (bookshelf speakers and car speakers), yet is less colored and more dynamic than similar-sized powered speakers. Therefore it offers a useful comparison for balancing mixes and for assessing the final mix. Its small size and smooth midrange make it suitable for portable monitoring.

Incidentally, the A2 has both RCA and 1/8" stereo inputs which are combined if both are in use, whereas the DX4 does not do this as advertised. I was also pleased with their customer service, which was responsive to emails and phone calls.

Click Here to see more reviews about: Audioengine 2 - PC multimedia speakers - 30 Watt (total) - 2-way - satin black

Product Description:
Creating powered multimedia speakers to follow the Audioengine 5 was a challenge, but we feel we've managed to duplicate the signature sound of the Audioengine 5's in a much smaller package perfectly suited for your desktop or a smaller space in your home or office. The Audioengine 2 is a great introduction to high-quality audio and the perfect upgrade for your computer or iPod.

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Selasa, 19 Juli 2011

Studiophile Av 40 AV40 Desktop Monitors Review

Studiophile Av 40 AV40 Desktop Monitors
Average Reviews:

(More customer reviews)
These speakers are genuine music speakers with great response for a small desktop set.They sound fine at all volumes including very low volume which is a problem for so many speakers nowadays.

The highs and midranges are clear and crisp as you would expect.The lows are reproduced through a rear-aimed waveguide that gives accurate and clear response.These are not 15" woofers so don't expect that kind of sound but for what they are, small desktop studio monitors, they are excellent and very much worth the money.So much so that I didn't feel the need to add a sub-woofer with them to reproduce the lows.

Don't get fooled into buying the top-rated Logitech speakers for music.They are primarily gaming speakers and don't generally reproduce music faithfully.The M-Audio speakers are produced by and for musicians which makes all the difference.

Click Here to see more reviews about: Studiophile Av 40 AV40 Desktop Monitors

Product Description:
The compact M-Audio Studiophile AV 40 Reference Speaker System delivers the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4” polypropylene-coated drivers and 3/4” ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers.

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Selasa, 28 Juni 2011

M-Audio Studiophile AV 40 Powered Speakers Review

M-Audio Studiophile AV 40 Powered Speakers
Average Reviews:

(More customer reviews)
My old Logitech Z-560 developed a short in it creating nasty crackling noises over one channel. The Z560 was a rare beast, a $140 400 watt 4.1 monster that Logitech built to really high standards to create a strong foot forward into the PC speaker market. Sadly, their quality has declined since then, and their current offerings are cheaply made, sound far worse with music than the 560s, and have even fuzzier and more overwhelming bass than the 560 did (the systems one flaw). I decided to try 2.0 systems to see if I could get good PC sound without the added failure risk of a high powered sub and the muddiness that all that extra bass and clumsy frequency transitions between sats and sub causes...

My findings, from worst to best:

Logitech Z-10: 30 watts. Looks good, costs a lot, $150, list. Sounds dreadful. Despite having a largish 3" woofer, and a 1" tweeter, the Z-10 seems to be doing a lot of signal processing of music and the soundstage sounds compressed and artificial. Changing bass and treble makes things worse, and your music will sound different (and worse) on these speakers than it would normally. The touch controls and LCD screen are useless pricy gimmicks that increase chance of failure and add weight and cost to the system. Who in the world needs to see the name of the track playing on the bottom of the speaker? Anyway, these are a disappointment, with the worst sound and tied for the highest price. The speakers are heavy and well made, very stylish, though easily smudged with the reflective black surface on the front of the speaker. Logitech needs to redo these, silly gadgets and useless feature are tolerable, bad sound however is always a deal-breaker. Two stars, for style and build quality.

Klipsch ProMedia 2.0: Also 30 watts. Nice sound, good price, $100 list. Dual 2.5" woofers and a 1" tweeter with a Klipsch high-freq horn in it. These sound pretty good, but they are unexpectedly bulky and poorly made. The oddly formed speaker housing means these take up a lot of space and the volume and bass control knobs look like they come from a $10 CyberAcoutsics set. The cheapie knobs, bulk, and ugliness make these fit for corporate presentations where good loud sound matters and where style is largely irrelevant. For the home user, the cheap knobs may well break over time, which was the Achiles heel for my 560s; quality system, cheap volume pot. Three stars, good though not excellent sound, reasonable price, loses points for ugliness and some shoddy cost cutting in build quality. The bulk is sort of a neutral issue, as the larger box size probably helps the sound and bass extension of the units, but for some users the footprint and added portability difficulties may be an issue.

Creative Gigaworks T20: 28 watts (though the box says 22 watts!) $100 list. Creative obscures most specs on these, probably fearing the single 2.5" driver versus the bigger Logitech and the double same size drivers of the Klipsch may convince buyers that the T20 lacks in comparison to its rivals. Truth is the build and design of the T20s makes them sound much better than either the Z10s or the Promedias. These little speakers can put out an awesome amount of clear accurate sound, and they look great and feel very sturdy. Treble in particular is excellent, and the alleged Bass Xport technology must have something to it, as bass is more than adequate. The separate bass and treble knobs may or may not appeal; to some, they offer more control, to others the added circuitry distorts the signal and gives an added area of complexity in the design that may fail. The portability is excellent. The only real problem is that Creative is so secretive about the wattage and driver size, out of unnecessary concern that buyers may avoid getting these because of a few watts or a half inch. These sound great, look good, and the size to sound ratio is impressive. Four stars.

M-Audio AV40s: 40 watts, $200 list. My personal choice, these speakers are much bigger than the other contenders, but the amazing sound and plentiful bass will convince you that you don't need to even think about a sub system. These wooden cabinets are very attractive and sturdy, but are not exactly portable weighing 14 lbs and being quite bulky. (More so than the Klipsch, but they also look nicer and are built better.) Besides the size and weight, the other issue is cost and maybe availability as few vendors sell M-Audio, and the price for the AV40s even with discount will be $50-$65 more than the cost of the other units I looked at. To me the sound and accuracy (no distortion at high volume, lots of accuracy at low volume) of the M-Audios, at both low and high volume, offsets all the problems. Four stars, loses a star because of higher cost and weight. (Note though these are still theoretically portable, far more so than any 2.1 system or even the average boombox...)

Do You Need More Power, a Subwoofer, or More Speakers? Probably not. If you sit at your desk with the speakers a few feet away from you, you do not need much more than 30 or 40 watts for great powerful sound. A subwoofer (unless it costs a lot!) will just screw up crossover freqs, create too much bass, and encourage the mfgr to give you cheapie satellites on the theory that the loud prominent sub will wow the casual listener who will not care that the sats have 1" uni-drivers and are made of cheap light plastic. Unless you need to entertain parties with your PC, you don't need more power or a sub.

As far as surround sound, unless you watch movies on your PC or play a lot of FPS shooters that need positional audio, the added wires and difficulty of positioning the rear and surround sats in the listening environment are too much of a pain for most folks. Plus a decent PC surround sound system is at least $250, meaning a much higher cost than any of these 2.0 systems.

Buying Recommendations: Don't mind big and bulky? Get the M-Audio AV40s. (Note the company has a smaller less powerful variant, the Av20s, but I did not hear these and they do not seem to be widely available so I cannot comment.) Want small and portable, get the Creative T20. The Logitechs unfortunately have no comparative strengths, and the Klipschs are adequate but offer no real advantage over the Creative. If you can find the Promedias significantly discounted, they may be viable.

Click Here to see more reviews about: M-Audio Studiophile AV 40 Powered Speakers

Product Description:
The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4-inch polypropylene-coated drivers and 3/4-inch ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system.


A perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. Click to enlarge.
Convenient front auxiliary input and phones jack.
Rear features balanced quarter inch and RCA inputs, along with bass boost switch for low-end enhancement. Click to enlarge.

Studiophile AV 40 Compact Desktop Speaker System


Professional Components--Professional Results
The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4-inch TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system.
Extended Low End
If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end--perfect for urban/dance music, DVDs and more.
OptImage III Technology
M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.
Magnetically Shielded for Desktop Use
Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.

AV 40 Specs


    Type: Two-way desktop reference monitor
    Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil
    High-frequency Driver: 1" diameter, magnetically shielded silk dome tweeter
    Frequency Response: 85Hz - 20kHz
    Crossover Frequency: 2.7kHz
    RMS SPL: 101.5dB @ 1 meter
    Signal-to-Noise Ratio: > 90dB (typical, A-weighted)
    Input Connectors: Left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input
    Polarity: Positive signal at "+" input produces outward low-frequency cone displacement
    Dynamic Power: 20 watts continuous, per channel into 4 Ω
    Input Impedance: 10 k Ω unbalanced, 20 k Ω balanced
    Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum
    Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter
    Indicator: Blue power LED ring around volume knob on front panel
    Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord
    Cabinet: Vinyl-laminated MDF
    Dimensions: 8.75" (H) x 6" (W) x 7.25" (D)
    Weight: 14 lbs./6.34 kg

What's in the Box
Pair of AV 40 Monitors, Two Power Cables, 1/8-Inch Mini-to-RCA cable, 1/8-Inch Auxiliary Cable, Bare Wire Cable for Speaker Connection, Two Traction Pads, User's Manual.

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Want to read more honest consumer review about M-Audio Studiophile AV 40 Powered Speakers now ?

M-Audio Studiophile AV 40 Powered Speakers Review

M-Audio Studiophile AV 40 Powered Speakers
Average Reviews:

(More customer reviews)
My old Logitech Z-560 developed a short in it creating nasty crackling noises over one channel. The Z560 was a rare beast, a $140 400 watt 4.1 monster that Logitech built to really high standards to create a strong foot forward into the PC speaker market. Sadly, their quality has declined since then, and their current offerings are cheaply made, sound far worse with music than the 560s, and have even fuzzier and more overwhelming bass than the 560 did (the systems one flaw). I decided to try 2.0 systems to see if I could get good PC sound without the added failure risk of a high powered sub and the muddiness that all that extra bass and clumsy frequency transitions between sats and sub causes...

My findings, from worst to best:

Logitech Z-10: 30 watts. Looks good, costs a lot, $150, list. Sounds dreadful. Despite having a largish 3" woofer, and a 1" tweeter, the Z-10 seems to be doing a lot of signal processing of music and the soundstage sounds compressed and artificial. Changing bass and treble makes things worse, and your music will sound different (and worse) on these speakers than it would normally. The touch controls and LCD screen are useless pricy gimmicks that increase chance of failure and add weight and cost to the system. Who in the world needs to see the name of the track playing on the bottom of the speaker? Anyway, these are a disappointment, with the worst sound and tied for the highest price. The speakers are heavy and well made, very stylish, though easily smudged with the reflective black surface on the front of the speaker. Logitech needs to redo these, silly gadgets and useless feature are tolerable, bad sound however is always a deal-breaker. Two stars, for style and build quality.

Klipsch ProMedia 2.0: Also 30 watts. Nice sound, good price, $100 list. Dual 2.5" woofers and a 1" tweeter with a Klipsch high-freq horn in it. These sound pretty good, but they are unexpectedly bulky and poorly made. The oddly formed speaker housing means these take up a lot of space and the volume and bass control knobs look like they come from a $10 CyberAcoutsics set. The cheapie knobs, bulk, and ugliness make these fit for corporate presentations where good loud sound matters and where style is largely irrelevant. For the home user, the cheap knobs may well break over time, which was the Achiles heel for my 560s; quality system, cheap volume pot. Three stars, good though not excellent sound, reasonable price, loses points for ugliness and some shoddy cost cutting in build quality. The bulk is sort of a neutral issue, as the larger box size probably helps the sound and bass extension of the units, but for some users the footprint and added portability difficulties may be an issue.

Creative Gigaworks T20: 28 watts (though the box says 22 watts!) $100 list. Creative obscures most specs on these, probably fearing the single 2.5" driver versus the bigger Logitech and the double same size drivers of the Klipsch may convince buyers that the T20 lacks in comparison to its rivals. Truth is the build and design of the T20s makes them sound much better than either the Z10s or the Promedias. These little speakers can put out an awesome amount of clear accurate sound, and they look great and feel very sturdy. Treble in particular is excellent, and the alleged Bass Xport technology must have something to it, as bass is more than adequate. The separate bass and treble knobs may or may not appeal; to some, they offer more control, to others the added circuitry distorts the signal and gives an added area of complexity in the design that may fail. The portability is excellent. The only real problem is that Creative is so secretive about the wattage and driver size, out of unnecessary concern that buyers may avoid getting these because of a few watts or a half inch. These sound great, look good, and the size to sound ratio is impressive. Four stars.

M-Audio AV40s: 40 watts, $200 list. My personal choice, these speakers are much bigger than the other contenders, but the amazing sound and plentiful bass will convince you that you don't need to even think about a sub system. These wooden cabinets are very attractive and sturdy, but are not exactly portable weighing 14 lbs and being quite bulky. (More so than the Klipsch, but they also look nicer and are built better.) Besides the size and weight, the other issue is cost and maybe availability as few vendors sell M-Audio, and the price for the AV40s even with discount will be $50-$65 more than the cost of the other units I looked at. To me the sound and accuracy (no distortion at high volume, lots of accuracy at low volume) of the M-Audios, at both low and high volume, offsets all the problems. Four stars, loses a star because of higher cost and weight. (Note though these are still theoretically portable, far more so than any 2.1 system or even the average boombox...)

Do You Need More Power, a Subwoofer, or More Speakers? Probably not. If you sit at your desk with the speakers a few feet away from you, you do not need much more than 30 or 40 watts for great powerful sound. A subwoofer (unless it costs a lot!) will just screw up crossover freqs, create too much bass, and encourage the mfgr to give you cheapie satellites on the theory that the loud prominent sub will wow the casual listener who will not care that the sats have 1" uni-drivers and are made of cheap light plastic. Unless you need to entertain parties with your PC, you don't need more power or a sub.

As far as surround sound, unless you watch movies on your PC or play a lot of FPS shooters that need positional audio, the added wires and difficulty of positioning the rear and surround sats in the listening environment are too much of a pain for most folks. Plus a decent PC surround sound system is at least $250, meaning a much higher cost than any of these 2.0 systems.

Buying Recommendations: Don't mind big and bulky? Get the M-Audio AV40s. (Note the company has a smaller less powerful variant, the Av20s, but I did not hear these and they do not seem to be widely available so I cannot comment.) Want small and portable, get the Creative T20. The Logitechs unfortunately have no comparative strengths, and the Klipschs are adequate but offer no real advantage over the Creative. If you can find the Promedias significantly discounted, they may be viable.

Click Here to see more reviews about: M-Audio Studiophile AV 40 Powered Speakers

Product Description:
The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4-inch polypropylene-coated drivers and 3/4-inch ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system.


A perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system. Click to enlarge.
Convenient front auxiliary input and phones jack.
Rear features balanced quarter inch and RCA inputs, along with bass boost switch for low-end enhancement. Click to enlarge.

Studiophile AV 40 Compact Desktop Speaker System


Professional Components--Professional Results
The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4-inch TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system.
Extended Low End
If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end--perfect for urban/dance music, DVDs and more.
OptImage III Technology
M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.
Magnetically Shielded for Desktop Use
Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.

AV 40 Specs


    Type: Two-way desktop reference monitor
    Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil
    High-frequency Driver: 1" diameter, magnetically shielded silk dome tweeter
    Frequency Response: 85Hz - 20kHz
    Crossover Frequency: 2.7kHz
    RMS SPL: 101.5dB @ 1 meter
    Signal-to-Noise Ratio: > 90dB (typical, A-weighted)
    Input Connectors: Left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input
    Polarity: Positive signal at "+" input produces outward low-frequency cone displacement
    Dynamic Power: 20 watts continuous, per channel into 4 Ω
    Input Impedance: 10 k Ω unbalanced, 20 k Ω balanced
    Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum
    Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter
    Indicator: Blue power LED ring around volume knob on front panel
    Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord
    Cabinet: Vinyl-laminated MDF
    Dimensions: 8.75" (H) x 6" (W) x 7.25" (D)
    Weight: 14 lbs./6.34 kg

What's in the Box
Pair of AV 40 Monitors, Two Power Cables, 1/8-Inch Mini-to-RCA cable, 1/8-Inch Auxiliary Cable, Bare Wire Cable for Speaker Connection, Two Traction Pads, User's Manual.

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