Tampilkan postingan dengan label recording. Tampilkan semua postingan
Tampilkan postingan dengan label recording. Tampilkan semua postingan

Jumat, 07 Oktober 2011

Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB Review

Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB
Average Reviews:

(More customer reviews)
I need to point out that this is an *audio* interface first and foremost.Some of the other reviews only mention its MIDI capabilities.It is *also* a MIDI interface, but the primary purpose of this box is to facilitate the recording of audio.It has some great AD/DA converters to that end, along with the capabilities for very high sampling rates (unlike USB1 interfaces).

Another review also talked about using it as an external sound card.You certainly can do that, but it's a waste of money - other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with.No, if you're going to buy this box, buy it to record audio and/or MIDI.

If you're still confused as to why this thing exists, the bottom line is if you need it, you know it.This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.

Now, as for this product vs. others in its category - I've only had it for a day, but so far, it does what it's supposed to.What you're really paying for are the DACs and the software, both of which are extremely important to home recording.The hardware other than the DACs is kind of cheap and flimsy, but it works.It's not going to stand up to abuse, though - it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing.One nice thing is having level displays on the box itself, which is something that some budget interfaces lack.Everything does work like it should.

A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency.I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office.That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports.I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1.If you can use PCI, though, Emu also offers a PCI version of this interface - just be aware that you'll be giving up a few features, plus the obvious portability.If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it.(Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.)There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.

The software bundle is pretty amazing for the price, and it's another big reason why I bought this model.It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE.Don't let the "LE" designations scare you - they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions.Do you really need 96 recording tracks for a home recording?24 should be enough.But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself.This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for - I've been having a ton of fun with this.

I give it four out of five stars only because of its questionable durability.This is not the interface you want if you plan to carry it around in a gig bag all over the place.Also, it does have an external power brick (a small one) - though that's what enables the phantom power for the mic inputs, so it's a good tradeoff.Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power).But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.

Click Here to see more reviews about: Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB

Product Description:
Premium 24-bit/192kHz A/D and D/A converters* (A/D: 113dB SNR, D/A: 117dB SNR) deliver unmatched USB audio fidelity. E-MU XTC Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers (-127dB EIN) with 48V phantom power and ground lift switches enable you to plug microphones, keyboards and guitars straight into your computer with professional results, while the built-in analog soft limiting circuit lets you record a hotter signal without fear of clipping. Comprehensive digital I/O with optical and coaxial S/PDIF (switchable to AES/EBU) and MIDI In/Out to easily connect all of your digital studio gear and instruments. Ultra-low latency USB 2.0 drivers offer accurate timing and playback of your recorded audio and software instruments.Hardware zero-latency direct monitoring (mono/stereo) allows you to record and overdub with no annoying delay. Plug-and-play operation with hands-on control of all major functions like master level, direct monitoring, preamplifier controls and more. Cross-platform support (Windows XP/x64 and Mac OS X) and compatibility with most popular audio/sequencer applications (Windows: ASIO2, WDM, MME, AC-3 and DTS Passthru; Macintosh: Apple CoreAudio and CoreMIDI).

Buy NowGet 38% OFF

Want to buy Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB at other amazon sites? Click the corresponding icon below:



buy it at amazon.combuy it at amazon.co.ukbuy it at amazon.cabuy it at amazon.debuy it at amazon.fr

Selasa, 02 Agustus 2011

MXL D.R.K. Desktop Recording Kit Review

MXL D.R.K. Desktop Recording Kit
Average Reviews:

(More customer reviews)
This mic is sold as not needing a preamp.I found this to be mis-leading.Trying to record on a PC sound card using only the 9v battery and the mic input was hopeless unless you want to record something very, very loud.I ended up getting a Behringer tube preamp and now I can record using the line input with high sensivity.

Other than that it works fine for my application: voice-overs.

Click Here to see more reviews about: MXL D.R.K. Desktop Recording Kit

Product Description:

A fully self contained, universal tool kit providing professional sounding music recordings into home PC or MAC (with optional MXL Mic Boost). Perfect for recording vocals, instruments and for voice-over speech to liven home CD and DVD video recordings, location sound effects and PodCasting.

Click on image to enlarge.

TECHNICAL DATAType:

Buy Now

Want to read more honest consumer review about MXL D.R.K. Desktop Recording Kit now ?

Sabtu, 07 Mei 2011

MXL 24BIT/96KHZ USB Condenser Mic Review

MXL 24BIT/96KHZ  USB Condenser Mic
Average Reviews:

(More customer reviews)
For years I've been working with traditional XLR cardioid condenser mics (love my Neumann TLM) but I've had to travel a lot lately, and humping the XLR cables, pre-amp, and heavy mics through airports and hotels has gotten to be a real bother, so I started The Hunt for a Great USB Mic.

Now, there are good USB mics out there for under $100, and Blue's Snowball is adequate. At ~$70 you get what you pay for. It is ok for podcasting, if you aren't too picky about sound quality. I had one shipped to me, didn't like that background hum, sent it back thinking it was a problem with the mic, and got another one that sounded exactly the same. (And yes, I read all the instructions and advice and made all the adjustments. I even tried it on Mac, Laptop, and PC--so spare me the "oh did you try this, and you're an idiot because you didn't try that" Snowball fanboy snarkiness ;).

So, when I returned the Snowball, I considered getting Blue's Yeti, but it's sheer size disqualified it -- the mic is way too big and heavy to be considered remotely portable, and since I like to record standing-up instead of sitting down, I worried that it would be too heavy for my boom.

Having eliminated Blue's mics, I tried the Samson G Track at ~$120 and the AudioTechnica AT2020 at ~$110. I like that the Samson has the headphone output and the gain controls (which the AT does not) and better recording quality versus the AT2020 at 48kHz versus 44.1kHz. However, the Sampson weighs a half-pound more. For both mics the sound quality is great for podcasting, and while vastly superior to the Blue Snowball, and certainly adequate for most vocals that will be supported with background music, neither mic produces recordings clean enough and of high enough quality (limited to 16bit) for pure narration (IMHO).

So I upped my price-point again. And found THE perfect USB mic for voice-overs at ~$275. The MXL USB.009. It records at 24Bit/96kHz -- a huge improvement over the 16Bit/44.1kHz of all the other mics. It has the benefits of a mic jack and knobs for gain control like the Samson G Track, and is Plug and Play. I don't have to tweak anything on my Mac or my PC. It is lightweight, so I'm not worried about my boom tipping, and there is no background hum. I like the steel carrying case -- it weighs about 6 pounds with the mic and USB cable -- and makes it easy to carry through airport security.

Yes, the MXL USB.009 is 4x the cost of the Blue Snowball and 2.5x the cost of the Samson G Track and the AT2020, but for me, it is worth it. I not only do podcasting, but I do professional voice-over work, and I need something that will give me the convenience of direct USB recording with near-studio quality.

Click Here to see more reviews about: MXL 24BIT/96KHZ USB Condenser Mic

Product Description:
Producing a 24-bit/96 kHz feature-rich USB microphone for the professional broadcast and music industry meant no compromises on quality. The MXL® USB.009 features a large diaphragm, 32mm capsule, similar to what's found on the world's best analog microphones. With zero latency monitoring, hand selected components and analog rotary knobs to dial in the perfect mix, the MXL® USB.009 replaces an entire studio. When it's time to listen back to the tracks you've recorded, it will impress with its amazing detail and punch.
The MXL® USB.009 is a simple, feature-rich, elegantall-in-one recording solution that is nothing short of professional!

    24-bit A/D and D/A 96 kHzrecording
    114 dB dynamic range
    Large gold sputtered diaphragm
    USB 1.1 and 2.0 compatible
    Zero latency monitoring
    Analog gain control before A/D
    Hand selected components
    USB powered - no externalpower needed
    Plug and play with no preamps, mixers or any other externaldevices required

Includes:
• Mic
• Aluminum flight case
• Desktop Stand
• Mic stand adapter
• 10' USB cable
• Cleaning cloth
• Manual

Buy Now

Want to read more honest consumer review about MXL 24BIT/96KHZ USB Condenser Mic now ?